Swingle Singers
What are some artists that use harmonies?
I love Crosby, Stills and Nash… and the Beach Boys… and The Swingle Singers… and Sacred Harp Singers.
What are some other artists that feature multiple part harmonies. Can be modern or oldies… I like a variety.
GUSTER!!!! they are the best
http://www.myspace.com/guster
Also The Thorns (group made up of Matthew Sweet, Pete Droge and Shawn Mullins)
http://www.myspace.com/thethornsmusic
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The Swingle Singers – Bach Hits Back ~ A Capella Amadeus $6.36 … |
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Have Yourself a Jazzy Christmas $5.33 … |
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Anthology $14.80 … |
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The Swingle Singers …Unwrapped $31.14 The Swingle Singers …Unwrapped |
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Best of the Swingle Singers $8.97 Best of the Swingle Singers |
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Best Of The Swingle Singers $5.99 Best Of The Swingle Singers |
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Swingle Singers – Place Vendome $22.76 For a short time in the mid-`60s, the Modern Jazz Quartet were working primarily in Europe and recording for the French division of Philips, with the results coming out in the United States on the MJQ`s regular label, Atlantic. There was only one exception to this rule: Place Vend¿me, the collaboration the MJQ did with the Swingle Singers, which appeared in the U.S. on Philips` American subsidiary through Mercury Records, on which the Swingle Singers had been appearing for some years already. For Philips, the collaboration must have seemed like an inevitability; Ward Swingle had sung with the Double Six of Paris, which had backed up Dizzy Gillespie who, of course, had led the big band out of which the MJQ was formed in 1952. The Swingle Singers had been jazzing up the music of Johann Sebastian Bach since at least 1963 with phenomenal success, and while John Lewis wasn`t quite as into the Bach bag in 1966 that he would be in later, his MJQ compositions had long been taken up in European devices such as fugue and the renaissance Canzona. Although Swingle and Lewis agreed to collaborate backstage after an MJQ concert in Paris in 1964, it wasn`t until 1966 that the two groups found themselves in Paris at the same time. The resultant album, Place Vend¿me, was a huge international success commercially, with the track "Aria (Orchestral Suite No. 3 in D major, BWV 1068)" — though then popularly called "Air on a G String" — charting strongly in Europe and the album easily earning its keep in the U.S., though it did not chart there. Not everyone was pleased; jazz critics savaged the album, the consensus being that a pop vocal group like the Swingle Singers had no business making an album with an exalted jazz group like the MJQ.Fast forward more than four decades, and Place Vend¿me itself is a rare album that`s basically impervious to criticism. It`s sui generis; the Swingles and the MJQ`s badinage on Bach is what it is, you either like it or you don`t, and whether one does or not doesn`t much matter. However, the Philips CD version of it does have one significant variable in that the digital mastering was supervised, in 1988, by John Lewis. His input into the remastering was to bring the MJQ more up front in the mix, not an entirely evenhanded solution, as it was originally marketed as a Swingle Singers album to start with. Moreover, the effect of the new mastering results in some strange artifacts, such as a passage in the "Ricercare 2 ¿ 6 (Offrande Musicale, BWV 1079)" where the MJQ drops out for a passage, and the unbalanced Swingles continue singing away in the background as though segregated to a phantom channel. Nevertheless, that which John Lewis wrought is liable to stick — a proposed BBC Legends reissue of a MJQ concert recorded in London was quashed in 2001 by Lewis shortly before he died; it hasn`t appeared, and it isn`t likely to. For those interested prima |
